Both deeply important and purely joyful.
A different sort of birthday celebration is at the bighearted center of this picture book.
Mutanu lives in an African orphanage. She and the other children are excited about the arrival of a special day when all of them are celebrated with a birthday party. This inclusive, joyful day allows those children (including Mutanu) who don’t know their actual birth dates to be celebrated alongside those who do, and as endnotes explain, it also helps give them legal standing as Kenyan citizens. After the children do daily chores, visitors arrive, presents are distributed, and Mutanu’s most anticipated moment comes with cake and the singing of the birthday song. In a sensitive acknowledgement of complex circumstances, Mutanu’s beloved grandmother is one of the visitors, and other children welcome extended family members, too. Text and colorful art with expressive line combine to depict the orphanage as a place of care and safety for the children, who still have ties to family despite significant losses and difficulties. What emerges isn’t a case of sugarcoated hardship but a story that acknowledges the harsh realities of many children’s lives while also finding the grace within them. Endnotes ground the story in its inspiration from a real orphanage in Kenya while also explaining to more privileged Western children how someone might not know his or her birthday.
Both deeply important and purely joyful. (Picture book. 4-8)Pub Date: Oct. 13, 2015
ISBN: 978-1-77049-648-4
Page Count: 32
Publisher: Tundra Books
Review Posted Online: July 26, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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