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ALL THREE STOOGES

An authentically awkward exploration of grief particularly well-suited for preteen boys.

Seventh-grader Noah Cohen and his best friend, Dash, eat, sleep, and breathe comedy, so it’s no surprise they choose to research Jewish comedians for their mitzvah project at Hebrew school, even if it means partnering with Noah’s female nemesis, Noa Cohen.

As long as Noah and Dash can spend their weekends watching movies and making up comedy sketches with Dash’s dad, the “coolest guy on the planet,” life is good. Until it isn’t. Dash’s father’s unexpected death is devastating for Noah, not only because he misses Gil, but because it drives a wedge between the two best friends as Dash struggles to cope. What’s worse is that Dash has found a new confidant seemingly overnight, leaving Noah reeling and desperate to win back his best friend. Despite the support of his two moms, his sister, and his rabbi, Noah leaps and lurches awkwardly through his first real experience with death. While it is uncomfortable and sometimes even painful to read, Noah’s struggle also feels incredibly authentic. And fortunately for readers, there’s just enough humor to help lighten the mood when things get dark. While the primary characters all appear to be white, it is beyond refreshing to see a story that is so thoroughly Jewish without a hint of persecution. And while bookshelves are filled with stories about children losing a family member, this novel offers something new by focusing on the unexpected loss of someone beloved but not related. An author’s note and list of resources follow the story.

An authentically awkward exploration of grief particularly well-suited for preteen boys. (Fiction. 8-12)

Pub Date: Jan. 9, 2018

ISBN: 978-0-399-55175-8

Page Count: 240

Publisher: Knopf

Review Posted Online: Sept. 30, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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J VS. K

An insubstantial story that offers a prosocial message.

Two boys equally blessed with both talent and ego vie for supremacy in their school’s annual “creative storytelling competition.”

J is “by far the best artist in the entire fifth grade”; K has “become known as the best writer in the entire fifth grade.” Naturally, each one is determined to crush it in The Contest, and each decides an illustrated story is the way to go. The competitive boys try to undermine one another by passing along fake tips for success, each hoping to destroy his opponent’s story. K advises J to “write what you DON’T know” and to use sixth-person narration. “J’s Secrets to Drawing Really Good” are just as catastrophic and include drawing with your nondominant hand and inserting mistakes to keep readers engaged. Creative hijinks ensue. Craft and Alexander have become known on social media for the jocular trash talk they heap on each other; J and K are their fictional child avatars. As an internet bit doled out in small doses, their frenemy-ship is amusing; as a sustained story about storytelling, it’s thin on both character and plot development. Authorial interjections exhort readers to look up 75-cent vocabulary, often used in barbs directed at each other; the latter feel like in-jokes more than playful attempts to engage young readers. Kids may enjoy spotting references to popular children’s authors among the characters’ names, and budding authors and illustrators will benefit from the advice. J and K are both Black; their classmates and teachers are racially diverse.

An insubstantial story that offers a prosocial message. (Fiction. 8-12)

Pub Date: May 6, 2025

ISBN: 9780316582681

Page Count: 240

Publisher: Little, Brown

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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