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KING OF THE ZOO

Unfortunately, this mishmash of a tale ultimately disappoints.

In this shallow story, Carlos the chameleon is sure that he is the king of the zoo—and he always will be as long as someone believes in him.

In an opening spread featuring a game-board–like trail on which each of eight animal pens bear signs with crowns, an omniscient narrator asks “[W]ho’s king of the zoo?” Carlos, at the beginning of the trail, believes he is until he ventures into the zoo and sees the crown outside the kangaroos’ enclosure. His eyes bulge, and, echoing Eric Carle’s From Head to Toe (1997), he becomes hopping mad. When he finds a crown at the monkeys’ tree, he scratches his head; at the elephants’, he stomps his foot and so on. Angry and bewildered, Carlos shouts at each animal (in big type in speech bubbles), staking his claim. His obnoxious behavior is somewhat alleviated by the bright cartoon-style art, which depicts the animals looking on, perplexed, as Carlos exhausts himself. In a forced interlude, the chameleon experiences a range of clichéd emotions, turning green with envy and going yellow with fear—ruminations that only scratch the surface. The superficiality is reinforced by the conclusion. Carlos recovers when a visitor arrives at his window and claims, “He’s my favorite.” The stated lesson: He only needed one person to know “he ruled.”

Unfortunately, this mishmash of a tale ultimately disappoints. (Picture book. 3-6)

Pub Date: Aug. 1, 2013

ISBN: 978-0-545-46182-5

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: June 7, 2013

Kirkus Reviews Issue: June 15, 2013

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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HEY, DUCK!

A sweet, tender and charming experience to read aloud or together.

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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