These powerful inquiries spurred by photos are history made flesh, the untold lives of the mostly forgotten.
The clash of fascism and communism on two continents over half a century, as traced through a few family photographs.
At one point, author and award-winning translator Hackl (Argentina’s Angel, 2014, etc.) describes his methodology as “a question-and-answer carousel between here and there: the basic data, rather sparse, not very vivid, without feelings, which our imagination has to supply.” The “our” in the reading of this book is the reader, because even though the elements are tragic, even horrific, the author’s tone remains matter-of-fact and speculative. Hackl is like an investigating detective pursuing a case where all the principals are long dead and the few who remain may be reluctant to talk. The first and longest of these files concerns a family threatened by anti-Semitic Austrian fascism; some of them moved to Brazil only to find a “dictatorship [that] must have seemed like a variant of Austro-fascism with a tropical gloss.” Two of them attempted to return to Austria but found themselves in what seemed like “a permanently provisional arrangement” between the country that was home and the Brazil that had become home. The piece begins and ends with a photo, though “invisible on this picture are the threads linking times and continents.” The second and shortest, “The Photographer of Auschwitz,” tells of the prisoner who was a photographer and was charged with documenting new arrivals, taking as many as 50,000 photos. One of the images became indelible—“four Jewish girls, naked, emaciated until they’re nothing more than skeletons, looking at us with big eyes. Four thirteen-year-olds who are about to die and are immensely ashamed of their nakedness.” Another is “the only cheerful photo from Auschwitz, of a wedding.” The third section also features a wedding photo from a concentration camp: two incarcerated dissidents, only one of whom would survive, and the son who tried to come to terms with their history and his life “in time-lapse photography. Because they are years of repressed memory.”
These powerful inquiries spurred by photos are history made flesh, the untold lives of the mostly forgotten.Pub Date: Jan. 10, 2017
ISBN: 978-0-9970034-3-7
Page Count: 216
Publisher: DoppelHouse Press
Review Posted Online: Oct. 10, 2016
Kirkus Reviews Issue: Nov. 1, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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