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AN AMERICAN GOSPEL

ON FAMILY, HISTORY AND THE KINGDOM OF GOD

Uplifting, heretical or irrelevant, depending on the reader’s religious beliefs.

Reece (Lost Mountain: A Year in the Vanishing Wilderness, 2006) identifies and advocates a strain of American spirituality that values the philosophical wisdom of Jesus over his function as a savior.

The author assures us that he has found numerous precedents in American thought for a spirituality that merges the proven benefits of religious devotion with a more progressive social agenda, all while skipping the leaps of faith required to believe in the Resurrection and the Life Everlasting. Reece points to several revered thinkers, including Thomas Jefferson, Ralph Waldo Emerson, Walt Whitman and fellow Kentuckian Wendell Berry, who reject fundamentalism’s emphasis on the hereafter as destructive to the human spirit and to the environment, yet keep the radically compassionate message of Jesus intact. The kingdom of God is not in the afterlife, they believe, but all around us. This “good news” has its philosophical basis in the controversial Gospel of Thomas, which Reece claims as the most authentic representation of Jesus’ teachings. For the author, the search for an alternative to the dominant Puritan reading of the Gospels resulted from witnessing the devastating psychological effects of fundamentalism on his grandfather and father, both Baptist ministers. Reece’s grandfather found solace in a strict dualism of right and wrong, heaven and hell, whereas his father lost the struggle with feelings of doubt and depravity, eventually committing suicide. For the most part, Reece uses these autobiographical details as powerful illustrations, not expressive ends unto themselves—although his own story underlies the narrative throughout. Written with a scholar’s precision but in frank, readable prose, the book advances an optimistic, intellectual, environmentalist reclamation of sacred Christian beliefs and of Americans’ complex relationship with Jesus.

Uplifting, heretical or irrelevant, depending on the reader’s religious beliefs.

Pub Date: April 2, 2009

ISBN: 978-1-59448-859-7

Page Count: 272

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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