Singularly stunning and stunningly singular.
A murder reveals the faults in an allegedly optimized far-future society.
Bulwark is a walled city in the desert, built centuries ago by survivors of an apocalypse. Early residents sacrificed greatly to make the settlement habitable, and in recognition, they were venerated as Saints—a heritable title. Saints were also exorbitantly compensated in “life hours,” the continuing basis for Bulwark’s economy, which values goods and services according to the time and effort necessary for production. Life-hour totals are now tracked by Parallax, Bulwark’s Avataristic AI, whose primary purpose is to “ensure a basic quality and value of life, that everyone is cared for and no one needlessly suffers.” At present, however, Saints’ descendants are using their ancestors’ unused life-hour balances to live isolated lives of luxury, while everyone else toils tirelessly just to fall further behind. Sexagenarian bioprosthetist Saint Enita Malovis is only peripherally aware of Bulwark’s growing societal inequity thanks to her preoccupation with creating a body for Nix, the AI who runs her household and assists with her work. Then, someone kills one of her peers, Saint Lucius Ohno. Nix’s queries to Parallax for information about the crime return “a glut of junk code,” and Nix also starts noticing unsettling voids in Bulwark’s data grid. Enita’s on-again, off-again partner, historian Saint Helen Vinter, believes everything that’s happening is connected. She’s not sure how or to what end, but feels certain that neither she nor Enita is safe. Swyler achieves a seemingly impossible amount of sophisticated worldbuilding using an economy of vibrant, graceful prose. The story transports and transforms, alchemizing a combination of mystery, romance, and science fiction into an impactful exploration of the importance of connection, the evolutionary nature of identity, and the inevitability of revolution. Affecting relationships and a sinuous, kaleidoscopic third-person narrative further define and develop the exquisitely rendered characters.
Singularly stunning and stunningly singular.Pub Date: Jan. 14, 2025
ISBN: 9781668049594
Page Count: 336
Publisher: Atria
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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