More about costume than character or story.
Mysterious deaths plague an island dukedom in a loose retelling of “The Twelve Dancing Princesses.”
Annaleigh Thaumas has spent the last few years mourning her mother and several sisters, who died in succession under increasingly eerie circumstances. Her remaining sisters chafe under the lifestyle restrictions of formal mourning on their small, isolated island home, especially their inability to wear pretty clothes and flirt with boys. When their young stepmother persuades their duke father to let them wear bright colors and start dancing again, Annaleigh and her sisters are relieved, especially when a mystical door in the family crypt conveniently transports them to glamorous ballrooms that provide venues to show off their new wardrobes. Annaleigh and her sisters read like interchangeable paper dolls, their painstakingly described gowns, jewels, and shoes the most distinguishing features about them; they spend their time screaming, swooning, and alternately competing for and cowering behind the men in their lives. The island setting is extremely one-note, as if an ocean-themed children’s party became an entire culture, and there is no consistent interior logic to the rules of magic and gods that seem to shift, like the tides and the weather, according to narrative convenience. The writing is self-consciously stiff, and the story reads like a mood board, full of repetitively atmospheric images and scenes but never creating a substantive whole. All characters are white.
More about costume than character or story. (Fairy tale retelling. 14-18)Pub Date: Aug. 6, 2019
ISBN: 978-1-9848-3192-7
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 5, 2019
Kirkus Reviews Issue: June 1, 2019
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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