by Erin A. Craig ‧ RELEASE DATE: July 27, 2021
An engrossing combination of the supernatural and human psychology.
An isolated mountain town faces inhuman threats and a reckoning.
Eighteen-year-old Ellerie is the beekeeper’s daughter in Amity Falls, a town with a curious past—legend has it the founders were plagued by monsters and so hung Bells along the forest line to keep them out. After an emergency draws her parents away, Ellerie’s left taking care of her family—her twin brother and two younger sisters. When monsters in the woods, long thought gone, prevent supply runs, the town faces crucial shortages of things like medicine, ammunition, and general store goods. Meanwhile, aside from the monsters in the woods, other bad omens like deformed animals and ruined crops plague the town and add to its struggles to prepare for winter. Amid the claustrophobic atmosphere, acts of sabotage sow mistrust among the townspeople and uncover every last grudge. The nonspecific historical setting and creepy woods are well used, be it in eerie moments or in the details of beekeeping and the homesteading lifestyle. During the plot’s slow build, Ellerie’s interpersonal storylines (a budding romance with a young trapper, growing distance between her and her twin, and more) ground readers between the escalation of outward dangers. The biggest twist may be obvious, but the escalation to the wild climax provides a fun ride to an abrupt ending. Ellerie’s family and most of the town default to White.
An engrossing combination of the supernatural and human psychology. (list of families) (Horror. 12-18)Pub Date: July 27, 2021
ISBN: 978-0-593-30674-1
Page Count: 480
Publisher: Delacorte
Review Posted Online: May 16, 2021
Kirkus Reviews Issue: June 1, 2021
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by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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