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ALWAYS SO GRUMPY

Grumpy animals are sometimes better left alone.

A surly, big-eyed hedgehog is having a bad day, and it’s up to readers to cheer them up.

The prickly hedgehog opens with the warning: “I am grumpy. I am crabby. I am not having a good day.” The hedgehog then suggests that readers tell a joke or make a silly noise, which elicits a smirk from the hedgehog but doesn’t work to chase away the sour mood. Each double-page spread includes a new demand that is generally unrelated to the previous one and, predictably, can’t improve their temper. Switching back and forth between actions that readers take independently of the book, like making a funny noise, or things readers should perform on the book, like shaking it, lends an inconsistent and awkward feel to the progression of the story. The interactive elements lack the engagement and cohesion of Hervé Tullet’s Press Here (2011) and other books in this style, reading like half-hearted suggestions from a character with no clear motivation other than being grouchy. The hedgehog finally requests a hug and an “I love you,” which seems to turn the bad mood around. The hedgehog exclaims, “Thanks for sticking with me, even when I wasn’t very much fun to be around.” This reminds readers that we all have bad days, but it might not be enough to make this book a pleasant experience.

Grumpy animals are sometimes better left alone. (Picture book. 3-6)

Pub Date: Sept. 1, 2020

ISBN: 978-1-7282-1620-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 16, 2020

Kirkus Reviews Issue: June 1, 2020

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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PEANUT BUTTER & CUPCAKE

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...

The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.

Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)

Pub Date: July 29, 2014

ISBN: 978-0-399-16773-7

Page Count: 32

Publisher: Philomel

Review Posted Online: May 13, 2014

Kirkus Reviews Issue: June 1, 2014

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