Halloween might be scary; independence needn’t be.
A pumpkin gets plenty of excitement on Halloween.
Little Orange Pumpkin sits on the porch with her parents on Halloween night. They review three rules: Remember your manners when given candy; no eating any until getting their OK; stay close. While Little Pumpkin thinks she’s old enough to trick-or-treat alone, her parents believe otherwise. Frustrated and angry, she rolls off the porch, under which she sees a warm orange light. Curious, Little Pumpkin follows it to a hole leading to a wooden door. In front of her is a spooky house. A monster, reminiscent of Daddy, offers a tour. A series of exciting adventures ensue, in which she meets and proves her mettle by engaging with skeletons, goblins, ghosts, a witch (resembling Mommy), a gargoyle, a vampire, bats, and spiders. When Little Pumpkin returns home, her parents assure her that they’re not mad and still love her, even though she shouted. Little Pumpkin concedes that she wants them to observe the third rule: Stay close. This is an enjoyable tale with an uplifting message. Readers will appreciate the Halloween trappings, which form a backdrop for its real story: a child desiring independence, taking those first tentative steps toward it, and being assured of a warm welcome by loving parents. The colorful digital illustrations are animated and filled with non-frightening Halloween characters and symbols. Background humans are diverse.
Halloween might be scary; independence needn’t be. (Picture book. 4-7)Pub Date: Aug. 6, 2024
ISBN: 9781728289595
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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