by Erin Guendelsberger ; illustrated by Suzie Mason ‧ RELEASE DATE: July 5, 2022
Cleverly relatable.
A school bus is nervous for his first day of school.
Yellow’s wipers swish anxiously from side to side. Today is the very first time that Yellow will ever transport kids, but he’s not sure if he’s ready. He tries to stall by telling his parents that his tires feel a little low and his oil is a little stale. They reassure him that everything is in working order. But even more worries abound. What if a herd of elephants come charging toward him? What if he gets lost? What if the kids choose another bus over him? “The world can be scary sometimes, but more often it can be wonderful,” his mother reassures him. “What if something really good happens today?” Slowly, by taking one step at a time (starting his engine first), Yellow rolls onto the road, ready for school. There are no eyes perched comically on this protagonist; instead, Yellow’s mood is conveyed through subtle art decisions: wiper placement, a grill that seems to smile, and general stature. Mirroring children’s own first-day worries, Guendelsberger flips the point of view to a familiar back-to-school mainstay. This one will pair very well with Adam Rex’s School’s First Day of School (illustrated by Christian Robinson, 2016). The students are a diverse crowd. (This book was reviewed digitally.)
Cleverly relatable. (Picture book. 4-8)Pub Date: July 5, 2022
ISBN: 978-1-72825-799-0
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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