Skillfully catches the feral tone and spirit of the original.
In this graphic adaptation of the original series’ first two episodes, kittypet Rusty joins the feral cats of Thunderclan and earns a warrior’s name.
Making the switch from print to this tale that’s told through dialogue and visual sequences containing very little exposition may relegate the complex dreams and visions to wordless montages and make it even harder to keep track of who’s who in the large, furry cast, but the art really brings out the savagery that has distinguished Hunter’s work and perhaps accounted for its enduring appeal. Here, as snarling cats flash cruelly sharp teeth and claws, pounce on prey with a crunching of bones, and engage in bloody melees with cats of rival clans (and even, once, with a swarm of vicious rats), the feline protagonist, an orange tabby more distinguishable than most due to an unusual mark on his forehead, displays heroic qualities aplenty. He serves an apprenticeship under his new name, Firepaw, but is at last named Fireheart, decisively turning from the easy, domesticated life to embrace a harder (but far more glorious) role as a warrior of Thunderclan. Along with a helpful aerial map of the clan’s territory, the creators include an illustrated afterword in which they cast themselves as cute kitties to demonstrate their work process. The vivid colors, dramatic action sequences, and appealingly expressive feline faces will grab readers’ attention.
Skillfully catches the feral tone and spirit of the original. (alternate covers, character designs) (Graphic animal fantasy. 11-13)Pub Date: July 16, 2024
ISBN: 9780063203884
Page Count: 272
Publisher: HarperAlley
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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