by Ernest Hemingway edited by Seán Hemingway illustrated by Edward Shenton ‧ RELEASE DATE: July 21, 2015
Papa’s best and worst on full display, sometimes in the same paragraph.
A Hemingway son and grandson present a reprinting of their ancestor’s 1935 work (Hemingway Library Edition) along with some illuminating supplementary material.
First-time readers of Green Hills will enjoy discovering the source of Hemingway’s famous praise for Adventures of Huckleberry Finn, as well as some images that appeared in subsequent fiction (“The Short Happy Life of Francis Macomber”). Hemingway originally created the volume as a sort of nonfiction novel, an actual account of his winter (1933-1934) African big-game hunting safari in company with his second wife, Pauline Pfeiffer, and others. Her diary, which Hemingway employed extensively, appears in an appendix and includes accounts of the author’s battles with dysentery (grim details) and of an accidental rifle discharge that just missed his head. Shooting himself in the head, of course, would come some 30 years later, and in Green Hills and its supplementary material are some comments about guns and suicide—by Hemingway and others—that crackle with dramatic irony. (In some observations he later deleted—and included here in an appendix—is his son's judgment that his father was a coward for shooting himself.) Also on display (in the text and in the supplements) are Papa’s famous ego, his waxing lyrical about beautiful animals he has just killed, and his testosterone-soaked rivalry with a hunting companion (Charles Thompson, called “Karl” in Green Hills), whose trophies always seemed to surpass Hemingway’s. Also in the appendices are lists of his kills (most were for meat, he says) and altered versions of his published text (most from the collection at the University of Virginia), one of which claims writer Archibald MacLeish was a coward. There is also some casual racism (one woman, he says in Green Hills, had “niggery legs”) and a delightful passage about a lioness attacking a wildebeest’s testicles.
Papa’s best and worst on full display, sometimes in the same paragraph.Pub Date: July 21, 2015
ISBN: 978-1-4767-8755-8
Page Count: 352
Publisher: Scribner
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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