by Ernest Hemingway ; edited by Sandra Spanier & Verna Kale & Miriam B. Mandel ‧ RELEASE DATE: May 31, 2024
A revealing and enchanting window into Hemingway’s life and work.
The latest volume in the canonical writer’s private correspondence.
This installment, which covers two years of Hemingway’s letters in the mid-1930s, offers extraordinary insights into the author’s personal and professional life. The book includes a remarkable range of textual material, including cables, postcards, assorted jottings, and unsent correspondence. We follow Hemingway’s passion for fishing, increasing involvement with leftist politics, and ongoing dedication to the craft of writing. His keen observational skills and rhythmic expressiveness are abundantly apparent in these letters, which often reflect the developing style of his fiction, as well as his experiments in blending fiction and nonfiction in Green Hills of Africa, which he worked on during this period. In her engaging introduction, editor Kale aptly points out that this volume “is a book about fish. It is about other things as well, of course: writing and art, friendship and fatherhood, the ongoing Great Depression and the rising threat of fascism in Europe. And fish—so many fish.” Hemingway’s accounts of fishing adventures—an activity that seems to have formed the spiritual center of his life during this period—are indeed numerous, strikingly detailed, and highly memorable. Another prominent topic involves the commercial dynamics of writing. The author frequently explains how he views his “serious” writing in relation to his journalism for publications such as Esquire, his awareness of the allure and perils of artistic complacency, and his delight and disgust with his burgeoning celebrity. Clearly emerging in this collection, too, is Hemingway’s difficult personality. The letters testify not just to his wit and charisma, but to his vanity, insecurity, and peevishness. The unfiltered revelation of this complexity makes for highly entertaining reading. Though the eclectic material arranged here may seem chaotic, the author’s torrential personality ultimately grants it a satisfying coherence.
A revealing and enchanting window into Hemingway’s life and work.Pub Date: May 31, 2024
ISBN: 9780521897389
Page Count: 700
Publisher: Cambridge Univ.
Review Posted Online: March 14, 2024
Kirkus Reviews Issue: April 15, 2024
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
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New York Times Bestseller
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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