THE LAST INTERVIEW

An Israeli writer gives an in-depth interview that unravels the story of his life and art.

Most interviews purport to expose some previously unknown truth, however trivial, about the interview subject. Nevo’s new novel asks the question: What would it mean for the interviewee to actually tell that “truth”—and how might the idea of truth telling be complicated if the interviewee were in the business of fiction writing? In trenchant, lovely prose—beautifully translated by Silverston—Nevo uses the unconventional structure of a literary interview to reveal the cracks in the facade of a writer’s relationship to himself, his work, and the world. Nevo excels at revealing—and reveling in—the exquisite within the mundane. As the interviewer moves from question to question, the protagonist leads the reader through various vignettes of his life; though the questions themselves range from basic to profound, each answer pulls the reader further into the protagonist’s vibrant inner world. The juxtaposition of the artificial medium of the interview with the increasing vulnerability that the writer displays in his answers is quietly radical. The emotional stakes are further heightened, and the narrative propelled, by the sometimes-jarring nature of this sort of structure: Often, the interviewer interrupts the narrative with a new question just at the point when a section is at its most moving or engrossing. The result is a compelling page-turner of quiet beauty and power. Drawing upon a rich Jewish literary heritage that stretches from Bialik to Oz to Roth, Nevo pushes the boundaries of fiction both formally and thematically, challenging the reader at every turn to reconsider their conceptions of the relationship between truth and fiction.

A daring, triumphant work of searing beauty.