Nevo is a funny, engaging writer, but his new book settles for cleverness without reaching for something more genuinely...
Three residents of an Israeli apartment building narrate their worries and woes.
Nevo (Neuland, 2014, etc.) is a bestselling Israeli author, and his most recent book to be translated into English makes it easy to understand why. His writing is compelling—actually, it’s compulsively readable, as the cliché goes. This novel takes place in a suburb outside Tel Aviv, an area one character labels “bourgeoisville.” It is split along three narrative lines, each corresponding to a character who lives on one of three floors in the same apartment building. On the first floor, there is Arnon, a father who grows obsessed by the idea that his young daughter may have been molested. On the second floor is Hani, a mother and a wife whose husband is always away on business. Devora, a retired judge, lives on the third floor; her husband has died, her son is estranged, and she must build a new life for herself. Nevo uses Devora to remind us, not so subtly, that these three characters match up rather neatly to Freud’s model of consciousness: Nevo has given us the id, the ego, and the superego, all in one novel. Fine; but though we’re drawn in by each of these characters and their various troubles and travails, in the end we’re left wanting. Sure, the stories are engaging (Arnon, Hani, and Devora each speak directly to a different “you”), but the book as a whole doesn’t satisfy. “Do you understand?” the characters say, again and again. “Can you understand?” Yes, of course, you’ll want to respond; but so what?
Nevo is a funny, engaging writer, but his new book settles for cleverness without reaching for something more genuinely moving.Pub Date: Oct. 10, 2017
ISBN: 978-1-59051-878-6
Page Count: 304
Publisher: Other Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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