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PAY AS YOU GO

An inventive, beautifully written debut that will leave readers wanting more.

A madcap odyssey through the hellscape that is the metropolis of the near future.

In a narrative that’s long on rich description and has a playful love of language, the protagonist, Slide, is a young man with a problem: He lives in a seedy neighborhood where orphans steal his socks from the laundromat and one of his roommates sneaks into his bedroom at night for reasons unclear but likely untoward. Confronted by preteen hoodlums who demand to know which gang he swears allegiance to—“You run with Gulag? Uncle Death? One Shot? Diablos? Why’re you wearing shorts?”—Slide decides to find his own place in a better part of Polis, about which his roomie warns him, “Polis is a friend to no one. It will only take what you give and spit back the bones, even your past, which it holds in reserve to taunt you.” That’s just so, and as Slide goes out into the city, moving from one pitiless zone to the next, he meets some extremely odd characters, such as a hot dog vendor who demands that he eat a suspicious-looking tube steak before proceeding (“Can’t help the streets if you ain’t buying the meats!”) and a tent-city denizen decked out in two tracksuits even in the “June heat that wrapped our throats like pythons.” Finally Slide reaches a part of town “where the light shines brighter,” where the coffee shops have dozens of varieties of beans and “everyone’s clothes were of a higher thread count”—a paradise that’s inaccessible to him. Like Dante, Slide wanders in circles, soaking in weirdness, tragedies, and occasional flashes of beauty. And like Joyce, Johnson builds a world that, for all its improbabilities, is recognizable, with characters who dispense rough and memorable wisdom to help survive an ominous future; as one Uglygod instructs: “You don’t step into a snake’s mouth because it says it’s got its teeth pulled.”

An inventive, beautifully written debut that will leave readers wanting more.

Pub Date: Oct. 24, 2023

ISBN: 9781952119743

Page Count: 502

Publisher: McSweeney’s

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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