In this coming-of-age memoir, Santiago (When I Was Puerto Rican, 1990; America’s Dream, 1996) glosses over the powerful legacies of familial warmth and connection gleaned from her too-brief Puerto Rican childhood, and swims the lap to adulthood in New York City. When Santiago earns entry to the High School for Performing Arts in the late ’60s, her life begins. Forever after, she suffers and thrills at the distance that separates her life at home with Mami (and her ten other children) and her life outside. Her family moves constantly; she never really knows her father, whom Mami has left behind. The young Santiago is armed with bright candor and a fiery optimism. She longs for an exalted future. Her family’s strictness (no dating allowed) weighs on her. With sober resilience, she tries her hand in New York City’s performing arts world. High school had fine-tuned her creativity but didn’t really prepare her for the rough-and-tumble nature of it. While she dances in Latin clubs accompanied by her family, Santiago dreams she is “the pilot of [her] own plane and . . . everywhere I went people were happy to see me and no one asked me where I was from .” She writes honestly enough about adolescence, yet the link between her Latin origins and the nature of her creativity remains strangely neglected; real love seems to stay always one step ahead of her. She revels in the richness of being “a Puerto Rican ingenue/Cleopatra/Indian Classical dancer” onstage but here seems most articulate about life off the stage. The poetic possibilities of the memoir are lost to a finally tepid desire. Neither the artista Santiago dreams of becoming nor the woman she actually becomes emerge as clearly as the streets of Brooklyn, as the people who guide her, or as the man she finally abandons. (Author tour)
Pub Date: Sept. 1, 1998
ISBN: 0-7382-0043-3
Page Count: 320
Publisher: Perseus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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