An unusual take on the power of memory.
A Puerto Rican woman displaced from her home and her own past builds a surprising life.
Teenage Luz Peña Fuentes is happy growing up in San Juan, Puerto Rico, in 1975. Her doting parents, Salvadora and Federico, are multilingual research scientists who provide their only child with a warm home and complete support for the lessons she hopes will lead to a career as a ballerina. Their love helps counter the bullying she sometimes suffers as “the tallest girl and the only Black one” in the ballet school. But a car crash destroys Luz’s world, killing her parents and leaving her with serious physical and mental disabilities. She has no memory of her earlier life—a small mercy in that she can’t remember the accident and, for a short time, she forgets what racism is. For the rest of her life, the few memories she can hang onto will be secondhand—the memories others tell her about, not her own. The novel alternates between Luz’s girlhood and her life four decades later in the Bronx in 2017, where her grandfather took her to live after the accident. He’s gone now, but Luz has a family circle to support her. Two of them are women who have cared for her since the accident: a lesbian couple named Shirley and Ada. Luz, Shirley, and Ada call themselves las madres. The rest of the circle is las nenas: Luz’s daughter, Marysol, and Ada and Shirley’s daughter, Graciela. Luz functions well in some ways—she married and had Marysol, then lost her young husband in another tragic event. She makes a living as an artist but still has almost no memory and is dependent on the other four women in daily life. To help answer Marysol’s longing to understand more about her mother’s past and her native Puerto Rico, the five women plan a vacation there—in hurricane season—that will be full of unexpected challenges and shocking revelations. As can happen in novels with narratives split between different time periods, in this one the chapters set in the 1970s are more vivid and engaging than many of those set in the present, which can bog down in extended passages of exposition. Luz’s shattered memory serves to a degree as a metaphor for the Puerto Rican diaspora and the lasting effects of colonialism, but the book’s core is its strong female friendships.
An unusual take on the power of memory.Pub Date: Aug. 8, 2023
ISBN: 9780307962614
Page Count: 336
Publisher: Knopf
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
