More an extended whine than a paean to pluck.
After memorably describing her journey from a Puerto Rican barrio to acceptance at a prestigious New York high school in When I Was Puerto Rican (1993) and Almost a Woman (1998), the author now vividly recalls the long infatuation that put her life on hold in the ’70s.
As usual, Santiago writes well, but this latest memoir at times seems labored and overly self-absorbed. Though she is still nostalgic for Puerto Rico and her family, she seems quite nonchalant about keeping in touch. She is also quick to discern ethnic prejudice, though she has vast numbers of supportive Anglo friends and ultimately benefits from affirmative action. Fundamentally, her problem is more the usual one of loving the wrong man too much. Just 21, her dancing career on hold, she decides to move to Florida with Ulvi, a much older Turkish man. She knows her action will shock her mother, who, though never married herself, hopes her daughter will wed, but Santiago is too much in love to care. Ulvi remains a cipher: he has directed or produced (Santiago never really knows) a famous Turkish movie he now wants to distribute in the US and is going to Florida to raise funds. He never gets the money in the seven years of their relationship, though he makes countless mysterious trips and phone calls. He forbids Santiago to answer the phone, and she supports him when he goes back to graduate school in Texas and New York. While he studies, Santiago works, does his research, types his papers, and writes up his notes. Though he refuses to marry her, Ulvi is insanely jealous, dictating what she should wear and whom she should befriend. Santiago increasingly feels stifled, but only begins to liberate herself when a colleague suggests she apply to Harvard. She is accepted and slowly begins to reclaim her independence.
More an extended whine than a paean to pluck.Pub Date: Sept. 1, 2004
ISBN: 0-7382-0820-5
Page Count: 336
Publisher: Da Capo
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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