by Espen Dekko ; illustrated by Mari Kanstad Johnsen ‧ RELEASE DATE: May 7, 2019
A truly brilliant contribution to the genre and a must for any child who has lost a beloved pet.
This picture book, a Canadian import originally published in Norway, tells the story of Paws, a dog, and Edward, a child, who have shared a good life together.
Paws is old and prefers to spend his days sleeping and dreaming, mostly about rabbits, while Edward, his beloved human, cuddles close and reads books. When Edward invites Paws for a walk, Paws goes because, he thinks, “Edward could use some fresh air.” The two are inseparable until the inevitable occurs and Paws falls into a sleep “without dreams.” Edward is so, so sad, but when he finally falls asleep (in the park, on the bench Paws used to lie on) he dreams—of Paws, tail wagging, happy—and readers will be uplifted, understanding that Edward’s love for Paws cannot be erased by death. Johnsen’s warmly hued illustrations give Paws such a large presence that he often spills out over the boundaries of the page—a visual manifestation of the story’s theme of love unconstrained by the boundary of death. Each illustration is a full-bleed double-page spread, a choice that emphasizes expansiveness. Edward’s skin is shown as a different shade on each page, a device that allows Edward to approach universality while visually highlighting, once again, the theme of limitlessness.
A truly brilliant contribution to the genre and a must for any child who has lost a beloved pet. (Picture book. 4-8)Pub Date: May 7, 2019
ISBN: 978-1-5253-0135-3
Page Count: 40
Publisher: Kids Can
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
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