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ARRIBADA

A suspenseful but tender tale that exemplifies the power of intersectionality.

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Themes of environmental justice, queer love, and Indigenous rights intersect in González’s mystery.

Mariana and Luisa Sánchez Celis grew up in a household with a mother disabled by a stroke, their uncle Alonso, and caretaker Amalia. The novel, set in 1990 and 1991, filters the events of the story through the colorism, racism, and patriarchy of their society as 22-year-old Mariana falls in love with Fernanda, an Indigenous Seri woman who’s passionate about protecting the turtles of the Sinaloa coast from extinction. After leaving Mexico to attend Juilliard, Mariana returns to find that Alonso has gone missing, and anti-poaching laws are harming local fisherman while industrial development hurts the wildlife and beaches. She, Luisa, Fernanda, and others start a business to preserve the livelihoods of locals while speaking up against powerful family friends. As the mystery of Alonso’s disappearance is resolved, a truth about Mariana is revealed. The second part of the novel focuses on Clavel Celis Coulson, Luisa and Mariana’s mother, as a high-society 16-year-old forced to marry a man twice her age; Amalia’s dark past also comes to light. The final part ties up a mystery while exploring themes of family conflict and queer relationships. González’s characters feel simultaneously archetypal and individual. On one level, they represent changing attitudes of various segments of Mexican society from the 1970s to the 2000s—enthusiastic, money-hungry land developers; an Indigenous conservationist; and an uncomfortable elite clinging to traditionalism. Yet the first-person perspectives of Mariana and Clavel showcase the specific desires, hopes, and dreams of each person as they try to find their place in a complex and dynamic social setting. González shines at exploring the effects of racist discrimination against Indigenous Mexicans without ever reducing characters to mere pawns. Her prose style is simple yet poignant and emotive, particularly when describing human desire and natural beauty: “Nothing relaxed me more than Bach combined with the aromas of the ocean and the sight of beauty. If only music could bend life to its rules.” González's closing notes provide the story’s critical real-world origins.

A suspenseful but tender tale that exemplifies the power of intersectionality.

Pub Date: May 10, 2022

ISBN: 978-1-947976-31-3

Page Count: 236

Publisher: Cynren Press

Review Posted Online: June 24, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE MAN WHO DIED SEVEN TIMES

A fresh and clever whodunit with an engaging twist.

A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.

Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”

A fresh and clever whodunit with an engaging twist.

Pub Date: July 29, 2025

ISBN: 9781805335436

Page Count: 288

Publisher: Pushkin Vertigo

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE THURSDAY MURDER CLUB

From the Thursday Murder Club series , Vol. 1

A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.

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Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.

The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.

A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.

Pub Date: Sept. 22, 2020

ISBN: 978-1-98-488096-3

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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