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CROCODILES EVERYWHERE

An empathetic tale, ideal for helping little ones ride out the storm of turbulent emotions.

Big life changes bring unexpected emotions.

After the protagonist’s best friend, Ana, moves away, the child experiences a whirlwind of feelings. The days seem to stretch on forever, and school feels different. Quietly, the crocodiles arrive. The brown one is loud, leaving overturned toys and household objects in the wake of her tantrums; the gray one’s sobbing fits keep the youngster from reading. Only the child can see them, and though the protagonist attempts to ignore them, they continue to intrude. Finally, on a family vacation, the youngster confronts both crocodiles: The child hugs the gray one (Sadness) and cries with her, then screams with the brown one (Anger) until their rage subsides. Having achieved catharsis, the young narrator feels much better and looks forward to spending a day with Ana in the future. Meza’s straightforward, compassionate text is firmly rooted in children’s natural—at times seemingly irrational—emotions. Created with paper, colored pencil, and Photoshop, her naïve, earth-toned illustrations make use of geometric shapes, complementing the story well. Sharp-eyed readers will spot Sadness and Anger lurking in the background of numerous spreads early on—underscoring the idea that complex feelings are always with us, even if we aren’t consciously aware of them. The protagonist is tan-skinned; other characters vary in skin tone.

An empathetic tale, ideal for helping little ones ride out the storm of turbulent emotions. (Picture book. 4-7)

Pub Date: Oct. 7, 2025

ISBN: 9780593859148

Page Count: 40

Publisher: Rocky Pond Books/Penguin

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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  • New York Times Bestseller


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  • Caldecott Honor Book

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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