NOBODY’S PRIZE

Continuing the saga begun in Nobody’s Princess (2007), a fictional Helen (of Homeric fame) goes on the quest for the Golden Fleece with Jason and the Argonauts, disguised initially as a weapons carrier. When her gender is discovered, she pretends instead to be Atalanta, the famous huntress. Events proceed as in the myth (the Isle of Lemnos, the Harpies, Medea, etc.), though this version is purposefully mundane. As in the first book, Helen is a spunky tomboy who just wants to be herself, a thoroughly modern character borne of the reading public’s current fascination with Greek mythology and the Princess Diaries phenomenon. The story lacks narrative tension or character development, as Friesner simply overlays this conceit upon set events which seem to unfold as if preordained, never taking the reader anywhere beyond this rather limited exposé of certain Greek myths. This is certainly not the last in the series, which will have its fans. Anyone needing another strong-female-character-with-a-sword series will enjoy it, but it is only mildly accomplished and strongly forgettable. (Fiction. 11-14)