by Esther Gerritsen ; translated by Michele Hutchison ‧ RELEASE DATE: Oct. 2, 2018
The lives of others, in all their peculiarity, are given sympathetic scrutiny in this diverting European oddity.
Diagnosed with a terminal illness, a mother known for her lack of empathy reunites with her daughter, but will the pair finally be able to connect? The U.S. debut of a prizewinning Dutch author offers a far from conventional response.
Bizarre interior landscapes are exposed to the light in Gerritsen’s off-kilter, at times blackly comic work of fiction. The baldness of its opening sets the tone, as Elisabeth de Wit unexpectedly encounters Coco, the adult daughter she rarely sees, on a busy street and seizes the moment to reveal she’s dying of untreatable cancer. “ ‘You’re not likely to live a long time with something like this,’ Elisabeth tells her daughter. ‘Not likely?’ ‘Probably not.’ ‘Christ.’ ‘We’ll call each other. Let’s call. Yes? We’ll call?’ ” Elisabeth found motherhood perplexing and uncomfortable, and after her marriage to Wilbert broke down, 5-year-old Coco spent six days a week with her father and stepmother. But now Coco wants to move back in with Elisabeth and take care of her. In cool prose and naturalistic dialogue, Gerritsen explores Elisabeth and Coco’s restored proximity, their internal dialogues and idiosyncratic norms as they interact with each other and a small surrounding cast: Wilbert and his new wife, Miriam, Coco’s boyfriend, Hans, Elisabeth’s hairdresser, and her employer at a frame store. Mother and daughter make efforts to reach each other across an ingrained history of misunderstanding, but isolation seems immutable as each pursues her private trajectory, Coco’s driven—dangerously—by her cravings, Elisabeth’s by her corporeal state. Gerritsen’s searching story of alienation and separation may well engender discomfort in the reader, yet there’s empathy too, especially in Elisabeth’s slow fade from the picture.
The lives of others, in all their peculiarity, are given sympathetic scrutiny in this diverting European oddity.Pub Date: Oct. 2, 2018
ISBN: 978-1-64286-002-3
Page Count: 192
Publisher: World Editions
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Esther Gerritsen ; translated by Michele Hutchison
by Colleen Hoover ‧ RELEASE DATE: Dec. 10, 2019
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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BOOK TO SCREEN
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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