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LONG-HAIRED CAT-BOY CUB

Translated from Hebrew, this Israeli import is a poignant cautionary tale told with kindness and humor.

A day at the zoo is interrupted by a business call that sends Dad off to the office, leaving his son to have fun on his own.

The boy wanders about, noticing how sad the animals seem in contrast to the happy families all around. After a face-painting makes him look like the titular “long-haired cat-boy cub,” he finds an empty cage, curls up inside, and falls asleep. He awakens on a magical ship helmed by Habakkuk, an eccentric human who is on a mission to kidnap animals from zoos and return them to their natural habitats. The little boy provides lots of information for Habakkuk’s notebook about his new identity, including his need for frequent games and stories and his dislike of important work-related phone calls. He helpfully gives the address of his habitat and is duly returned home. He confronts his parents in his new guise and provides them with the notebook for guidance for establishing a much improved father-son relationship. There is underlying longing as the boy narrates his own tale without anger or bitterness and makes imaginative and strange events seem perfectly reasonable. Basil’s colorful, double-paged illustrations capture the emotions and the magic and provide lots of visual surprises. The narrator, his parents, and Habakkuk all have light skin.

Translated from Hebrew, this Israeli import is a poignant cautionary tale told with kindness and humor. (Picture book. 4-8)

Pub Date: Oct. 8, 2019

ISBN: 978-1-60980-931-7

Page Count: 48

Publisher: Triangle Square Books for Young Readers

Review Posted Online: Aug. 11, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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