Though the slapstick from their hysterical debut, The Wing Wing Brothers Math Spectacular (2012), is evident, the...
Those wild Wing Wing Brothers are back in their third escapade, this time exploring geometry.
Three “amazing feats” hit kindergarten and first-grade Common Core State Standards for geometry. In the first, the five brothers take turns getting shot out of the Whammer. The goal is to go through the ring of fire. But they land in front of it, fly above it and land behind, wind up beside it and below it (it’s near a cliff), until finally Walter manages the feat, though not without lighting his tail feathers on fire. In the second, Walter has a magic wand that “POOF!”s shapes into existence…on the beaks of his brothers. Two triangles of equal size make a square, while two squares create a rectangle. Combining them, Walter makes a parallelogram and a trapezoid, but when the weight proves too much for his brothers, these land on and break his legs: “Walter, you need little west.” In the final amazing feat, Wendell saws a rectangular box into two and then four equal parts…with Walter inside. Long refers to these divisions as both fractions (in words) and quarters and halves. The humorous, brightly colored illustrations employ comic blocks to great effect, though they are in service to the text, which tries too hard to shoehorn obvious math concepts into funny scenarios.
Though the slapstick from their hysterical debut, The Wing Wing Brothers Math Spectacular (2012), is evident, the painless-learning piece is still missing. (Math picture book. 4-6)Pub Date: April 1, 2014
ISBN: 978-0-8234-2951-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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