by Ethan T. Berlin ; illustrated by Edwardian Taylor ‧ RELEASE DATE: Sept. 7, 2021
Extremely—almost annoyingly—silly.
Santa needs a bystander to stand in for him, but a child can see right through the ruse.
Santa is at the home of a child whose present he left at the North Pole. He needs someone to stand in for him while he dashes back to grab the gift. The only one nearby is a cow, who eagerly agrees to the task. Santa insists that the cow not let on that she isn’t Santa. But despite the elaborate costume (which does not hide cowbell, tail, or hooves), as soon as the cow says, “Moo-moo-moo, Merry Christmas,” the child has doubts. When the child apologizes for being out of milk, the cow mysteriously produces some. The cow thanks the child for putting out the tree, since she loves to eat grass and trees. When the child declares that the cow is not Santa, she tries to play herself off as anything else—Mrs. Claus? An elf? The Easter Bunny? Nope. But just as the cow starts to explain, the real Santa shows up with armfuls of extra gifts for the child for being so nice this year. There is no rhyme or reason to the story, and the goofy cartoon illustrations only exacerbate the ridiculousness, but a fraction of children will find it giggleworthy nonetheless. The all-dialogue text is set in speech bubbles. Santa (the real one) presents White; the skeptical child has light-brown skin and a pouf of brown hair. (This book was reviewed digitally.)
Extremely—almost annoyingly—silly. (Picture book. 4-7)Pub Date: Sept. 7, 2021
ISBN: 978-1-338-65619-0
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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