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THE CAT COLLECTION

This is indeed a collection, of quotations and cats, the latter of whom Delessert has clearly loved and studied. In his signature style, the bevy of beasts are presented close-up, dramatically placed; they are occasionally idealized to a few basic geometries or delineated to a glossy, hyper-real finish. Each page of text faces a cat, or now and then, shares a page with one. The variety of authors behind the very short quotations ranges widely, from Christopher Smart to Pablo Neruda, from Jean de La Fontaine to Ogden Nash. The cats portrayed usually have names, too: from the Egyptian cat goddess, Bast, to Snarf, a cat of the artist’s; from StÇphane MallarmÇ’s Snow, to Puss-in-boots. Children will find the epigrams intriguing, as in Annette Wynne’s “The house cat sits/And smiles and sings./He knows a lot/Of secret things.” The images are mysterious but accessible, unsettling and endearing—just like most cats. (Anthology. 7-12)

Pub Date: Nov. 1, 1999

ISBN: 1-56846-160-7

Page Count: 64

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1999

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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KING MIDAS AND THE GOLDEN TOUCH

PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-688-13165-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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