Field’s 19th-century poem, originally entitled “Dutch Lullaby,” serves as the vehicle for this visual exegesis of the celestial text. One night, fishermen Wynken, Blynken and Nod sail off in a wooden shoe on “a river of crystal light, into a sea of dew” to catch herring in their nets of silver and gold. But the herring are actually little stars, and Wynken, Blynken and Nod spend the night catching them before returning with their nets full. Field’s text poses the possibility that this unworldly venture might not be a bedtime dream, and Potter reinforces the dream theme by portraying Wynken, Blynken and Nod as three wide-eyed little men in matching green suits, red caps and wooden shoes. Sailing their shoe vessel into a nocturnal landscape of giant tulips, the three fishermen converse with the man-in-the-moon, cast their nets into a midnight-blue, herring-spangled sky and glide home to their windmill. The hand-lettered text and mixed-media illustrations rendered in nighttime blues and greens lend an imaginative, dream-like quality to the ethereal text. (Picture book. 3-7)
Pub Date: May 13, 2008
ISBN: 978-0-375-84196-5
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2008
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up. Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields. Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)
Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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