by Eugene W. Field & illustrated by Giselle Potter ‧ RELEASE DATE: May 13, 2008
Field’s 19th-century poem, originally entitled “Dutch Lullaby,” serves as the vehicle for this visual exegesis of the celestial text. One night, fishermen Wynken, Blynken and Nod sail off in a wooden shoe on “a river of crystal light, into a sea of dew” to catch herring in their nets of silver and gold. But the herring are actually little stars, and Wynken, Blynken and Nod spend the night catching them before returning with their nets full. Field’s text poses the possibility that this unworldly venture might not be a bedtime dream, and Potter reinforces the dream theme by portraying Wynken, Blynken and Nod as three wide-eyed little men in matching green suits, red caps and wooden shoes. Sailing their shoe vessel into a nocturnal landscape of giant tulips, the three fishermen converse with the man-in-the-moon, cast their nets into a midnight-blue, herring-spangled sky and glide home to their windmill. The hand-lettered text and mixed-media illustrations rendered in nighttime blues and greens lend an imaginative, dream-like quality to the ethereal text. (Picture book. 3-7)
Pub Date: May 13, 2008
ISBN: 978-0-375-84196-5
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2008
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More by Eugene W. Field
BOOK REVIEW
by Eugene W. Field & illustrated by David McPhail
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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More In The Series
adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
More by Chloe Perkins
BOOK REVIEW
by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Archana Sreenivasan
by Abdul-Razak Zachariah ; illustrated by Keturah A. Bobo ‧ RELEASE DATE: July 2, 2019
Vital messages of self-love for darker-skinned children.
On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.
The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.
Vital messages of self-love for darker-skinned children. (Picture book. 3-7)Pub Date: July 2, 2019
ISBN: 978-0-525-55271-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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