The molasses runs as deep—and sweet—as the Danube in this romantic drama set in an Austrian boarding school on the eve of Hitler’s invasion. British novelist Ibbotson (The Morning Gift, 1993, etc.) offers a pleasant if inconsequential tale that follows the pre-war adventures of Londoner Ellen Carr after she takes the position of house mother at a socially progressive academy for budding Marxists, musicians, and artists. The position comes as a shock to Ellen’s family; her mother and two aunts are committed suffragettes, having spent much jail time to free women of the burden of servile housework. But they learn, to their amazement, that this is the role Ellen has always yearned for’so much so that she dropped out of Cambridge to study home management and cooking. And now, under Ellen’s gentle, resourceful care, Hallendorf School begins to function with Victorian efficiency; even the once-atheist children start attending church. Meanwhile, sensible Ellen is thrown among a quirky mix of instructors—a Russian ballerina, a hysteric metalworks teacher, and an overly emotive drama coach. None of the staff, however, is as intriguing as the mysterious groundsman, Marek, who turns out to be a prominent Czech composer hiding incognito at the school to better facilitate the rescue of a Jewish friend from a concentration camp. Ellen and Marek’s acquaintance grows into a deep friendship and then love, and an engagement ensues, taking the two to Marek’s vast country estate. The Nazis, though, take revenge on Marek for helping with the escape of his friend, and mayhem breaks loose. Marek is believed lost, Ellen returns to London to marry an old admirer, and many of the Hallendorf children seek refuge at the Carr residence. Will the two lovers reunite? Will the Allies win the war? A happy ending is, of course, guaranteed, though the predictability barely detracts from this companionable tale, populated with odd, likable characters. Fluff, but high-quality fluff.
Pub Date: April 1, 1998
ISBN: 0-312-18181-7
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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