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THE MORNING GIFT

The Sachertorte romances by Ibbotson (Madensky Square, 1988, etc.) have resisted a firm categorization. The narration is too witty and waggish for the average lathering romance, and the plots too drenchingly sweet and contrived for a Fay Weldon-style satire or a Malcolm Macdonald chatty comedy. Here, the publishers have wisely allowed the author her own directive for her work: ``for the intelligent woman with the flu.'' Just so. Ibbotson's latest offering concerns the career of clever, enormously learned, and bouncy Ruth Berger, daughter of an eminent zoology professor and an excessively good mother whose house in Vienna also shelters an anthropologist aunt, alarmingly clumsy in all but her seminal work on obscure tribes, and a sad little uncle with a romantic past. Also, on the eve of WW II, another of the Bergers' summer visitors is Quinton Somerville, a young Englishman, a comer in paleontology, and the brilliant boy pianist Heini Radek. During the scholars' vacation in the mountains, Quin loves the Bergers, and the child Ruth adores just slightly older Heini. Eight years later, after the Nazis grab Vienna, Quin returns and, via a ``paper'' marriage to Ruth, rescues her so that she can join her family in a seedy section of London. The refugee colony makes do in tacky digs while Ruth, keeping secret the marriage to Quin, anxiously awaits the arrival of her fiancÇ Heini from Hungary. Meanwhile, she attends the college where Quin is the stellar lecturer, and with a group of students sees for the first time the Northumberland homestead where reigns Quin's fierce spinster aunt. Among Ruth's new acquaintances: dim-to-devoted schoolmates; dazed intelligentsia and an eccentric or two soldiering on; and, spearheading a sizable contingent plotting to wed Quin, a upper- caste student of terrifying perfection and the mien of a Roman senator. There will be misunderstandings, crossed paths—and, of course, happy endings. A bedtable joy.

Pub Date: Aug. 16, 1993

ISBN: 0-312-09338-1

Page Count: 336

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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