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THE PARTING GIFT

A beautiful novel whose only fault is ending too soon.

A novel about sexuality, acceptance, and Middle Eastern culture.

National Jewish Book Award winner Fallenberg’s (When We Dance on Water, 2011, etc.) most recent novel starts when an unnamed narrator decides to write a letter to Adam, his old college friend, who's sitting across the room from him. Months before, the narrator arrived at Adam’s doorstep in a "middling city of America," providing no explanation as to why, how, or for how long. Launching into a 100-plus-page letter, the narrator explains the events that led up to his arrival. The narrator was visiting Tel Aviv with his friends when he met Uzi, a spice merchant whose smell was “meaty, truly pungent and ripe.” Compelled by the pheromones Uzi was releasing, the narrator decides to leave his friends and stay with Uzi. Immediately, the two engage in an animalistic, uncontrollably sexual relationship: “We were a mess, a heaving, sweating, panting, quivering mess.” Uzi, the typically macho laborer, welcomes the narrator into his home, to the surprise of his family, namely his ex-wife, who lives across the property. But homosexuality, however stigmatized it may be in Israel, doesn’t seem to be that important to Uzi’s family—their main concern is why now. Uzi and the narrator lead a typical life from then on, with the narrator spearheading the expansion of Uzi’s spice business. Everything is going well until Ibrahim, the son of Uzi’s friend, arrives for an apprenticeship. Filled with jealousy and resentment, the narrator progressively loses his mind. Fallenberg’s story is one of heartbreak in which guilt and feelings of inadequacy ultimately cause his characters’ downfalls. Written entirely in the form of a letter to Adam, the story is magnetic, drawing readers in from the first crotch-grab to the last goodbye. But more important, this is a complicated study of the ways in which religious heritage—from codes of honor to familial expectations—interacts with business and acceptance, family and lovers, and self-realization.

A beautiful novel whose only fault is ending too soon.

Pub Date: Sept. 4, 2018

ISBN: 978-1-59051-943-1

Page Count: 256

Publisher: Other Press

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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WHEN CRICKETS CRY

Deep schmaltz in the Bible Belt.

Christian-fiction writer Martin (The Dead Don’t Dance, not reviewed) chronicles the personal tragedy of a Georgia heart surgeon.

Five years ago in Atlanta, Reese could not save his beloved wife Emma from heart failure, even though the Harvard-trained surgeon became a physician so that he could find a way to fix his childhood sweetheart’s congenitally faulty ticker. He renounced practicing medicine after her death and now lives in quiet anonymity as a boat mechanic on Lake Burton. Across the lake is Emma’s brother Charlie, who was rendered blind on the same desperate night that Reese fought to revive his wife on their kitchen floor. When Reese helps save the life of a seven-year-old local girl named Annie, who turns out to have irreparable heart damage, he is compassionately drawn into her case. He also grows close to Annie’s attractive Aunt Cindy and gradually comes to recognize that the family needs his expertise as a transplant surgeon. Martin displays some impressive knowledge about medical practice and the workings of the heart, but his Christian message is not exactly subtle. “If anything in this universe reflects the fingerprint of God, it is the human heart,” Reese notes of his medical studies. Emma’s letters (kept in a bank vault) quote Bible verse; Charlie elucidates stories of Jesus’ miracles for young Annie; even the napkins at the local bar, The Well, carry passages from the Gospel of John for the benefit of the biker clientele. Moreover, Martin relentlessly hammers home his sentimentality with nature-specific metaphors involving mating cardinals and crying crickets. (Annie sells crickets as well as lemonade to raise money for her heart surgery.) Reese’s habitual muttering of worldly slogans from Milton and Shakespeare (“I am ashes where once I was fire”) doesn’t much cut the cloying piety, and an over-the-top surgical save leaves the reader feeling positively bruised.

Deep schmaltz in the Bible Belt.

Pub Date: April 4, 2006

ISBN: 1-5955-4054-7

Page Count: 320

Publisher: WestBow/Thomas Nelson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2006

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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