A thoroughly engaging, delightful excursion into the wondrous world of books.
A past and present who’s who of America’s diverse bookstores.
Historian Friss, the author of The Cycling City and On Bicycles, begins with a description of his visit to Three Lives Bookstore in New York City, the first of many encounters with booksellers across America. In Philadelphia, master entrepreneur Benjamin Franklin was “a shopkeeper who sold books” and many other products, and in 1828, the Old Corner Bookstore was born in Boston. Over the next few decades, the number of stores in the U.S. gradually increased. On the eve of the Civil War, the North dwarfed the South in bookstores, and stores that printed books and itinerant bookstores were common. To counter the male-dominated American Booksellers Association, the Women’s National Book Association was created in 1917. Around the same time, Chicago’s Marshall Field & Company was its own superstore and its successful manager, Marcella Hahner, became a sought-after book blurber who initiated in-store book signings, book rentals, mailed Christmas catalogs, and the first book festival. Francis Steloff, the “powerhouse” of Gotham Book Mart, printed catalogs written by authors (Pound, Cummings) and sold many illegal imported books. Friss browses wistfully among New York City’s Book Row, especially the massive Strand bookstore, and his chapter on the pro-Hitler Aryan Boom Store in Los Angeles is particularly eye-opening. The Oscar Wilde Memorial Bookstore in Greenwich Village, he writes, was the “first of its kind.” Friss also covers the FBI-investigated, Black-focused Drum & Spear in Washington, D.C. Then the elephant in the room, Len Riggio’s Barnes & Noble, raises its head. Friss does a fine, fair job of assessing it and the other superstores and their origins, including Amazon, the “eight-hundred-pound gorilla,” the failure of their bookstores, and the success of Ann Patchett’s, Parnassus.
A thoroughly engaging, delightful excursion into the wondrous world of books.Pub Date: Aug. 6, 2024
ISBN: 9780593299920
Page Count: 416
Publisher: Viking
Review Posted Online: April 19, 2024
Kirkus Reviews Issue: May 15, 2024
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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