by Eve Bunting ; illustrated by Don Tate ‧ RELEASE DATE: Nov. 1, 2013
An affecting snapshot of a tragic day.
An old, unwanted cart becomes part of Dr. Martin Luther King’s funeral procession.
Two men borrow the cart from an antiques store and paint it green, the color of freshly watered grass. They take it to the Ebenezer Baptist Church and hitch two mules to it. Outside the church, crowds gather, while inside, the pews are filled with a weeping congregation. Slowly, the mules pull the cart carrying Dr. King’s coffin through the streets of Atlanta to Morehouse College for a second service. The cart, its day’s journey completed, is now part of the Martin Luther King Jr. National Historic Site. Bunting uses simple declarative sentences to capture the sorrow of the day and the message that King’s followers were intent upon proclaiming—his greatness came from humble beginnings. The mules, Belle and Ada, were a reminder that upon freedom, slaves were given forty acres and a mule. Tate’s pencil-and-gouache artwork plays up the details of the cart and the two mules while depicting the crowds of mourners less distinctly. Adults looking for a title to share with young readers will find this helpful in imparting the emotions raised by King’s assassination.
An affecting snapshot of a tragic day. (afterword) (Picture book. 4-7)Pub Date: Nov. 1, 2013
ISBN: 978-1-58089-387-9
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: July 30, 2013
Kirkus Reviews Issue: Aug. 15, 2013
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by Susan Lendroth ; illustrated by Bob Kolar ‧ RELEASE DATE: March 3, 2020
A common topic ably presented—with a participatory element adding an unusual and brilliant angle.
To the tune of a familiar ditty, budding paleontologists can march, dig, and sift with a crew of dinosaur hunters.
Modeling her narrative after “Here We Go ’Round the Mulberry Bush,” Lendroth (Old Manhattan Has Some Farms, 2014, etc.) invites readers to add appropriate actions and gestures as they follow four scientists—modeled by Kolar as doll-like figures of varied gender and racial presentation, with oversized heads to show off their broad smiles—on a dig. “This is the way we clean the bones, clean the bones, clean the bones. / This is the way we clean the bones on a warm and sunny morning.” The smiling paleontologists find, then carefully excavate, transport, and reassemble the fossil bones of a T. rex into a museum display. A fleshed-out view of the toothy specimen on a wordless spread brings the enterprise to a suitably dramatic climax, and unobtrusive notes in the lower corners capped by a closing overview add digestible quantities of dino-detail and context. As in Jessie Hartland’s How the Dinosaur Got to the Museum (2011), the combination of patterned text and bright cartoon pictures of scientists at accurately portrayed work offers just the ticket to spark or feed an early interest in matters prehistoric.
A common topic ably presented—with a participatory element adding an unusual and brilliant angle. (Informational picture book. 4-7)Pub Date: March 3, 2020
ISBN: 978-1-62354-104-0
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Brad Meltzer ; illustrated by Christopher Eliopoulos ‧ RELEASE DATE: Jan. 14, 2014
Successful neither as biography nor sermon.
Our 16th president is presented as an activist for human and civil rights.
Lincoln resembles a doll with an oversized head as he strides through a first-person narrative that stretches the limits of credulity and usefulness. From childhood, Abe, bearded and sporting a stovepipe hat, loves to read, write and look out for animals. He stands up to bullies, noting that “the hardest fights don’t reveal a winner—but they do reveal character.” He sees slaves, and the sight haunts him. When the Civil War begins, he calls it a struggle to end slavery. Not accurate. The text further calls the Gettysburg ceremonies a “big event” designed to “reenergize” Union supporters and states that the Emancipation Proclamation “freed all those people.” Not accurate. The account concludes with a homily to “speak louder then you’ve ever spoken before,” as Lincoln holds the Proclamation in his hands. Eliopoulos’ comic-style digital art uses speech bubbles for conversational asides. A double-page spread depicts Lincoln, Confederate soldiers, Union soldiers, white folk and African-American folk walking arm in arm: an anachronistic reference to civil rights–era protest marches? An unsourced quotation from Lincoln may not actually be Lincoln’s words.
Successful neither as biography nor sermon. (photographs, archival illustration) (Picture book. 4-7)Pub Date: Jan. 14, 2014
ISBN: 978-0-8037-4083-9
Page Count: 40
Publisher: Dial Books
Review Posted Online: Nov. 19, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Brad Meltzer ; illustrated by Christopher Eliopoulos
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