A not-so-sweet-smelling Valentine treat.
Mr. Goat gathers everything he will need to show his first love just how much she means to him.
Part of the fun in Bunting’s latest is the dichotomy between what Mr. Goat chooses as gifts and what child readers would choose. Miss Nanny Goat’s weed stall is the caprine equivalent of a flower seller’s stand; Goat requests a mixed bouquet of “Crabgrass, pigweeds, and ragweed in that nice, rusty can.” At Mr. Pygmy-Little Goat’s stand, he picks up four rotten eggs, “Guaranteed foul and disgusting.” The icing on the cake is the red heart-shaped box these are packed in, tied with a red ribbon. Miss Skunk provides a little cologne for Goat so he’ll smell as good as his eggs, but she also points out his lack of a card. This brings him up short, and he sits under a tree to compose a song for his love instead. Ready at last, he stops at her door and starts singing. When the door opens, adult readers will not be surprised as to the identity of Goat’s first love, but children might be. Zimmer’s digital illustrations are full of rich, bright colors. While a few items are textured and appear 3-D (Goat’s hat and pants, the rusty can), most are flat and cartoonish, including the characters. Readers who have sought out their own perfect gifts will recognize the emotions that play across his face.
A not-so-sweet-smelling Valentine treat. (Picture book. 4-7)Pub Date: Jan. 1, 2016
ISBN: 978-1-58536-944-7
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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