by Eve Bunting & illustrated by Ned Bittinger ‧ RELEASE DATE: Nov. 1, 1996
Bunting adds to her series of picture books with serious themes (Smoky Night, 1994, etc.) with this account of an unnamed Civil War battle framed within a present-day story of two young boys, one black, one white, whose new homes are being constructed within view of an unmarked battlefield. As the two boys, fast friends, explore their new homesites, they learn about the tragic loss of life that happened there in that war of "us against us . . . the saddest kind of war there is." Bunting's text is mostly stated in the manner of a child's brief sentences, but sprinkled with rhyming words and typographically arranged like a poem in short lines that slow the reading to a somber pace. Bittinger's oils capture both the bucolic peace of the present-day countryside and the smoke and turmoil of battle, in one case as seen from exactly the same point of view in two consecutive spreads. Particularly effective is the ghostly presence of soldiers, cannon, horses, and wagons as faint silhouettes in some scenes of the two young friends. Offering only hints of the issues over which the war was fought, this is not a book to read without preparation, but it is a worthy complement to books such as Patricia Polacco's Pink and Say (1994) and Karen Ackerman's The Tin Heart (1990). (Picture book. 7-10)
Pub Date: Nov. 1, 1996
ISBN: 0-590-60197-0
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1996
Share your opinion of this book
More by Eve Bunting
BOOK REVIEW
by Eve Bunting ; illustrated by Jui Ishida
BOOK REVIEW
by Eve Bunting ; illustrated by Kevin Zimmer
BOOK REVIEW
by Eve Bunting ; illustrated by Will Hillenbrand
by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Share your opinion of this book
More by Meredith Hooper
BOOK REVIEW
by Meredith Hooper & illustrated by Bee Willey
BOOK REVIEW
by Meredith Hooper & illustrated by Stephen Biesty
BOOK REVIEW
by Meredith Hooper & illustrated by Stephen Biesty
by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Share your opinion of this book
More by Nathaniel Lachenmeyer
BOOK REVIEW
by Nathaniel Lachenmeyer ; illustrated by Frank W. Dormer
BOOK REVIEW
by Nathaniel Lachenmeyer ; illustrated by Carlyn Beccia
BOOK REVIEW
by Nathaniel Lachenmeyer & illustrated by Nicoletta Ceccoli
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.