Bunting adds to her series of picture books with serious themes (Smoky Night, 1994, etc.) with this account of an unnamed Civil War battle framed within a present-day story of two young boys, one black, one white, whose new homes are being constructed within view of an unmarked battlefield. As the two boys, fast friends, explore their new homesites, they learn about the tragic loss of life that happened there in that war of "us against us . . . the saddest kind of war there is." Bunting's text is mostly stated in the manner of a child's brief sentences, but sprinkled with rhyming words and typographically arranged like a poem in short lines that slow the reading to a somber pace. Bittinger's oils capture both the bucolic peace of the present-day countryside and the smoke and turmoil of battle, in one case as seen from exactly the same point of view in two consecutive spreads. Particularly effective is the ghostly presence of soldiers, cannon, horses, and wagons as faint silhouettes in some scenes of the two young friends. Offering only hints of the issues over which the war was fought, this is not a book to read without preparation, but it is a worthy complement to books such as Patricia Polacco's Pink and Say (1994) and Karen Ackerman's The Tin Heart (1990). (Picture book. 7-10)
Pub Date: Nov. 1, 1996
ISBN: 0-590-60197-0
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1996
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
McDonald’s irrepressible third-grader (Judy Moody Gets Famous, 2001, etc.) takes a few false steps before hitting full stride. This time, not only has her genius little brother Stink submitted a competing entry in the Crazy Strips Band-Aid design contest, but in the wake of her science teacher’s heads-up about rainforest destruction and endangered animals, she sees every member of her family using rainforest products. It’s all more than enough to put her in a Mood, which gets her in trouble at home for letting Stink’s pet toad, Toady, go free, and at school for surreptitiously collecting all the pencils (made from rainforest cedar) in class. And to top it off, Stink’s Crazy Strips entry wins a prize, while she gets . . . a certificate. Chronicled amusingly in Reynolds’s frequent ink-and-tea drawings, Judy goes from pillar to post—but she justifies the pencil caper convincingly enough to spark a bottle drive that nets her and her classmates not only a hundred seedling trees for Costa Rica, but the coveted school Giraffe Award (given to those who stick their necks out), along with T-shirts and ice cream coupons. Judy’s growing corps of fans will crow “Rare!” right along with her. (Fiction. 8-10)
Pub Date: Aug. 1, 2002
ISBN: 0-7636-1446-7
Page Count: 160
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
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