A string of treasured buttons becomes a metaphor for a young girl’s struggle to accept her new stepmother in this poignant exploration of love and loss. Laura’s memory buttons represent all the stories that have been handed down through generations of family, beginning with her great-grandmother. When her mother died, the memory string became a talisman, ensuring that Laura would remember all the times they shared. Now her father has remarried and Laura uses the memory string as a way of blocking out the presence of her new stepmother, Jane, someone Laura is determined can never take her real mother’s place. Yet when the string accidentally breaks and the buttons scatter, it’s Jane who searches with a flashlight far into the night until every button is found. Is it possible that there can be room in Laura’s life for her stepmother after all? Sun-dappled watercolors capture the feel of a warm summer day and provide a framework for Laura’s observation of her father and his new wife as they work together painting the front porch. Close-up illustrations portray Laura’s range of emotions, from sadness and petulance to distress and finally tentative friendship. Bunting (Doll Baby, see above, etc.) has found an original way to tell an old story about making room for new memories. (Picture book. 5-8)
Pub Date: Aug. 21, 2000
ISBN: 0-395-86146-2
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
At her best, Rylant’s (The Ticky-Tacky Doll, below, etc.) sweetness and sentiment fills the heart; in this outing, however, sentimentality reigns and the end result is pretty gooey. Pandora keeps a lighthouse: her destiny is to protect ships at sea. She’s lonely, but loves her work. She rescues Seabold and heals his broken leg, and he stays on to mend his shipwrecked boat. This wouldn’t be so bad but Pandora’s a cat and Seabold a dog, although they are anthropomorphized to the max. Then the duo rescue three siblings—mice!—and make a family together, although Rylant is careful to note that Pandora and Seabold each have their own room. Choosing what you love, caring for others, making a family out of love, it is all very well, but this capsizes into silliness. Formatted to look like the start of a new series. Oh, dear. (Fiction. 6-8)
Pub Date: Sept. 1, 2002
ISBN: 0-689-84880-3
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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