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SEIZED

TEMPORAL LOBE EPILEPSY AS A MEDICAL, HISTORICAL, AND ARTISTIC PHENOMENON

What did Moses, Van Gogh, Lewis Carroll, and Dostoyevsky have in common? Quite possibly temporal lobe epilepsy, according to this fascinating report by freelance writer LaPlante (The Atlantic, Yankee, etc.). Temporal lobe epilepsy (TLE) is the most common form of epilepsy among adults. Its seizures bring hallucinations, dreamy states, bizarre feelings, and involuntary actions resembling the symptoms of psychiatric disease, and the personalities of its sufferers are frequently marked by an intense interest in religion and morality, a compulsion to write or draw, altered sexuality, aggression, and hypersociability. LaPlante traces the history of the disorder from its early definition by a 19th- century English neurologist to present-day efforts to understand and treat it with drugs and/or surgery. She chronicles its effects on three pseudonymous patients: Charlie, a lawyer whose first seizure occurred when he was in his 50s; Jill, a personnel director in her 30s whose life has been drastically affected by the onset of TLE; and Gloria, a middle-aged woman who's suffered from TLE all her life and had been treated for a myriad of psychiatric disorders prior to the diagnosis of TLE at age 37. What makes TLE especially intriguing are the clues it offers to biological bases of creativity, spirituality, and—on a less positive note—violence. Moreover, because TLE crosses the boundaries between psychiatry and neurology, research on it holds promise for a better understanding of the physiological causes of mental illness. LaPlante's descriptions of the human brain are wonderfully concrete, her historical research is well presented, and her empathy for TLE's victims is clear. A well-done study. (Line drawings—not seen)

Pub Date: Aug. 25, 1993

ISBN: 0-06-016673-8

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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