by Eve Merriam & illustrated by Pam Paparone ‧ RELEASE DATE: March 1, 2001
Merriam (Where's That Cat, 2000, etc.) has a poet's gift for the sort of lively language play that delights young children with just a few well-chosen words, such as "Heels / Wheels / Flippery seals and slippery eels." This playful poem, originally published in 1962, functions as a concept book about actions, animals, and objects found on or near the ground, at just the right height for children to observe with all their senses. Some of the choices are obvious (pebbles and shells), while others are more subtle, such as the smell of flowers or a new moon on the horizon. The rhyming couplets of the poem are skillfully integrated into cheery full-page or double-spread illustrations of chubby-cheeked children and amusing animals: a dachshund, a cow-licking clover, and a giraffe (curled up sleeping and thus showing how even a tall animal can be part of the "low" concept). Paparone (Fire Fighters, 1999, etc.) uses a bright palette of crayon colors and injects lots of humorous details into her thoughtfully composed illustrations. The rich language, rhyme, and rhythm of the text make this an engaging story for preschoolers and a logical choice for new readers too, who might try writing their own "High Song" sequels. (Picture book. 3-6)
Pub Date: March 1, 2001
ISBN: 0-689-82820-9
Page Count: 32
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2001
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Mike Lowery
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SEEN & HEARD
SEEN & HEARD
by Michael Whaite ; illustrated by Michael Whaite ‧ RELEASE DATE: April 2, 2019
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Michael Whaite ; illustrated by Michael Whaite
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