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BORN IN SIN

Keisha is 14; she's smart, she works hard, and she has a really good Mama. She knows who is trouble in the projects, where she lives, and she worries about her older sister, a mother at 17. In this complicated narrative, Keisha longs to apply to a pre-med program for high-school students at a nearby college. At first she's thwarted by well-meaning, but prissy and patronizing, counselors and teachers both white and black. But when she's forced to join the summer program for "at-risk" kids, she reveals a hidden talent—she's a natural swimmer. Keisha is unsparing in her views, and the drug dealer, the good coach, the naïve best friend, and the oreo are sketched in broad strokes. Family secrets, little brothers, how the simplest of gestures can be misinterpreted in the crucible of race, and the dubious and universal teen skill of utterly misconstruing the actions of adults all play a part here. Unfortunately, much of this seems forced, as though the author wanted to include everything she could think of that would teach a lesson. This requires a plot worthy of an afternoon soap with plot devices that stretch credibility. (Could any teen become Olympics-ready in less than a summer?) Keisha moves comfortably from trash talk to Standard English, thinking of herself as bilingual. She makes hard choices and stupid mistakes, but she's a character bigger than the page; most of the other players are hardly visible when she's on stage. (Fiction. YA)

Pub Date: March 1, 2001

ISBN: 0-689-83833-6

Page Count: 240

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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MONSTER

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...

In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.

Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)

Pub Date: May 31, 1999

ISBN: 0-06-028077-8

Page Count: 280

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 1999

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THE HIGHEST TIDE

A celebratory song of the sea.

A shrimpy 13-year-old with a super-sized passion for marine life comes of age during a summer of discovery on the tidal flats of Puget Sound.

Miles O’Malley—Squid Boy to his friends—doesn’t mind being short. It’s other things that keep him awake at night, like his parents’ talk of divorce and his increasingly lustful thoughts about the girl next door. Mostly, though, it’s the ocean’s siren call that steals his sleep. During one of his moonlit kayak excursions, Miles comes across the rarest sighting ever documented in the northern Pacific: the last gasp of a Giant Squid. Scientists are stunned. The media descend. As Miles continues to stumble across other oddball findings, including two invasive species that threaten the eco-balance of Puget Sound, a nearby new-age cult’s interest in Miles prompts a headline in USA Today: Kid Messiah? Soon tourists are flocking to the tidal flats, crushing crustaceans underfoot and painting their bodies with black mud. Dodging disingenuous journalists, deluded disciples and the death-throes of his parents’ marriage, Miles tries to recapture some semblance of normality. He reads up on the G-spot and the Kama Sutra to keep pace with his pals’ bull sessions about sex (hilariously contributing “advanced” details that gross the other boys out). But Miles’s aquatic observations cannot be undone, and as summer draws to a close, inhabitants of Puget Sound prepare for a national blitzkrieg of media and scientific attention and the highest tide in 40 years, all of which threatens everything Miles holds dear. On land, the rickety plot could have used some shoring up. Miles is just too resourceful for the reader to believe his happiness—or that of those he loves—is ever at stake. But when Miles is on the water, Lynch’s first novel becomes a stunning light show, both literal, during phosphorescent plankton blooms, and metaphorical, in the poetic fireworks Lynch’s prose sets off as he describes his clearly beloved Puget Sound.

A celebratory song of the sea.

Pub Date: Sept. 8, 2005

ISBN: 1-58234-605-4

Page Count: 272

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2005

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