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THE RICHES OF OSEOLA McCARTY

Coleman (To Be a Drum, p. 264, etc.) writes with feeling of an African-American woman whose work ethic proved inspiring. At the age of five Oseola (Ola) McCarty moved to Hattiesburg, Mississippi with her grandmother and aunt. Both the women worked hard every day, and Ola was taught to do all the things they did, from making soap, to washing the clothes by hand on a washboard, to heating the irons on the stove to press the stubborn wrinkles out of the damp garments and linens. For their backbreaking work, which started at seven in the morning and lasted until late at night, Ola and her grandmother were paid 50 cents a bundle—as much as a customer could tie into a bedsheet. Still, Ola learned that it was important to save as much as she could every week in a bank account. A lifetime later, at 87, Ola had to quit working for health reasons, but wondered what to do with the considerable amount of money she had saved; she decided to give most of what she had—well over $150,000—to the University of Southern Mississippi for a scholarship fund, which was named for her. The action brought her fame and many awards, but Ola remained the frugal person she had always been. The story, illustrated with black-and-white woodcut-like prints, is full of wisdom and quiet courage; readers will be drawn to the simplicity of the habits that led to Ola’s riches. A small, fine book. (Biography. 7-10)

Pub Date: Dec. 1, 1998

ISBN: 0-8075-6961-5

Page Count: 48

Publisher: Whitman

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1998

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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THE JUNKYARD WONDERS

Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)

Pub Date: July 1, 2010

ISBN: 978-0-399-25078-1

Page Count: 48

Publisher: Philomel

Review Posted Online: May 31, 2010

Kirkus Reviews Issue: June 15, 2010

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