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THEY WERE GOOD GERMANS ONCE

ESSAYS

A thoughtful, notable addition to the literature of the Holocaust and those survivors who started anew in America.

A poignant memoir of displaced German Jews and their struggle to find a home.

“While no one in my grandparents’ or parents’ generation attempted to pass as Gentiles,” writes novelist and biographer Toynton, “their whole culture, their entire sense of their identity, was German.” This self-identification extended in all directions: Apart from an occasional word, they spoke German and not Yiddish; German patriots, they scorned the “peasant” Jews of the Eastern European shtetl, so much so that a friend of the author’s asserted that the German Jews supported Hitler as a bulwark against Bolshevism. Their German world crumbled when Hitler came to power, and Toynton’s parents made their way to America, followed by some survivors who still believed “that Germany was a superior country to every other, perhaps to America most of all.” The author’s sensitive portrayal of these newcomers reveals different ways of contending with the past: the father who often traveled to Germany for business after the war, confident that the Nazis were no more; the uncle who accepted the promise of acculturation only to have it torn away from the Jews, “leaving them with nothing at all.” In that broken promise, Toynton finds reason to repudiate her family’s snobbish rejection of the Ostjuden, which “amounted to a hatred of what we were.” The author’s tone is often elegiac, and some of her episodes are strikingly gaunt; for instance, she hazards, walking among the broken residents of a geriatric home, that each would ask her to kill them if given the chance. Toynton also finds large insights in small incidents, as when, extolling the virtues of LSD, she is brought up short by an aunt who objects to the unearned shortcut to enlightenment.

A thoughtful, notable addition to the literature of the Holocaust and those survivors who started anew in America.

Pub Date: May 14, 2024

ISBN: 9781953002389

Page Count: 176

Publisher: Delphinium

Review Posted Online: March 22, 2024

Kirkus Reviews Issue: April 15, 2024

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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