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I'M NOT A MOUSE

This entertaining, ebulliently illustrated story will make grown-ups pause before nicknaming somebody without their approval.

For all those kids who are tired of the nicknames their families give them.

A young, black, bespectacled child with hair in two big curly puffballs tells readers, “I love my mom”—but not Mom’s nickname for the child: Mouse. Whenever Mom uses that nickname, the kid transforms. Suddenly, this backpack-wearing child becomes a purple mouse, wearing miniature glasses and clothes but lugging a yellow backpack that hasn’t shrunk. The protagonist then recalls all of the instances when Mom has interrupted play and activities by inconveniently changing her offspring into this purple rodent—which sometimes puts the child in treacherous, life-threatening situations, such as when Mom causes a transformation in front of the family’s orange cat. Frustrated, the child finally screams, “I’m not a MOUSE,” and then ignores Mom until she uses the child’s given name: Olivia. The rebellion works, but Olivia soon realizes that plenty of other kids—even grown kids—deal with the same problem. Golubeva’s bold, colorful illustrations effectively capture both Olivia’s conundrum and the child’s frustration with Mom’s annoying habit. A double-page spread in a city park reveals diverse children and nickname-granting caregivers, the kids all amusingly transformed. Frontmatter pages feature Mouse in many different situations, and corresponding backmatter pages add further humor by showing all the other things nicknames have transformed kids into, some non-English languages adding further diversity.

This entertaining, ebulliently illustrated story will make grown-ups pause before nicknaming somebody without their approval. (Picture book. 4-8 )

Pub Date: June 15, 2020

ISBN: 978-1-78628-464-8

Page Count: 32

Publisher: Child's Play

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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