by F. Isabel Campoy & illustrated by Jose Aruego & Ariane Dewey ‧ RELEASE DATE: Sept. 1, 2002
Deep in the Brazilian jungle, Rosa Raposa is making mischief. Basing the adventures of this crafty fox on stories recalled from childhood, Campoy has moved the setting from Spain to the Amazon Rainforest. Campoy skillfully crafts three episodes, each bearing its own title, in which Rosa outsmarts her long-suffering adversary, Jaguar. The mood is light and humorous as Jaguar is lured into a pit, is tied to a tree, or lands in the middle of a bee swarm. Set amid exotic flora and fauna, Aruego and Dewey’s characteristic illustrations blend pen and ink, watercolor, and pastels. Most scenes are entrenched in shades of green, but remain engaging as the sky varies—from lavender to pale yellow to bright blue—with each turn of the page. A combination of sharp pen-and-ink edges and minimal shading creates a two-dimensional quality, enhancing the folk tone of the work. The inclusion and rendering of the jungle’s inhabitants makes this a superlative medium to introduce South America to small children. An author’s note supplies a short glossary, defining some of the Amazonian plants and animals appearing in Rosa’s exploits. These brains-over-brawn tales are an exceptional experience in folk storytelling, with an education in the Amazon as a bonus. Jaguar had better keep his promise to return. (Picture book. 3-7)
Pub Date: Sept. 1, 2002
ISBN: 0-15-202161-2
Page Count: 32
Publisher: Gulliver/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Abdul-Razak Zachariah ; illustrated by Keturah A. Bobo ‧ RELEASE DATE: July 2, 2019
Vital messages of self-love for darker-skinned children.
On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.
The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.
Vital messages of self-love for darker-skinned children. (Picture book. 3-7)Pub Date: July 2, 2019
ISBN: 978-0-525-55271-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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