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THE THOUGHTBOOK OF F. SCOTT FITZGERALD

A SECRET BOYHOOD DIARY

Scholars could make use of this material, but it should otherwise interest only Fitzgerald completists.

A very short, incomplete diary in which ardent devotees of the novelist might find a glimmer or two of significance.

By the standards of even what the editor’s introduction terms “juvenilia,” this diary or memoir or notes on girls by the 14-year-old “Francis Scott Key Fitzgerald of St Paul Minn U.S.A.” is barely marginalia from a boyhood that had yet to turn literary. Though the afterword argues for literary significance in the dialogue, lists and some of the characters, readers will strain to unearth a glimmer of the fiction that would later flower in the tone of the manuscript (considerably shorter than the framing essays, even after padding with period photos). The book deals almost exclusively with what concerns most 14-year-old boys: girls—where he stands with them and they with him. Missing its first seven pages, the “Thoughtbook” has plenty of rankings of who likes whom and why. Early on, the boy writes, “I was more popular with girls than I have ever been befor” [sic—spelling is not his strong suit]. A few months later, “I have two new crushes, to wit—Margaret Armstrong and Marie Hersey. I have not decided which one I like the best. The 2nd is the prettiest. The 1st is the best talker.” Talk prevailed, as two weeks later he gushes, “I am just crazy about Margaret Armstrong and I have the most awful crush on her that ever was.” Elsewhere, Fitzgerald writes of being third in a girl’s ranking of affections but working his way toward first. Such rankings changed as often as the weather, and this “Thoughtbook” is like the weather report of budding romance.

Scholars could make use of this material, but it should otherwise interest only Fitzgerald completists.

Pub Date: Oct. 1, 2013

ISBN: 978-0-8166-7977-5

Page Count: 88

Publisher: Univ. of Minnesota

Review Posted Online: Aug. 5, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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