RIDE ON

The arrival of a new girl creates drama at a riding stable.

Drama is the last thing Victoria needs: She arrives at Edgewood Stables from rival Waverly Stables following a blowup with former best friend Taylor that leaves her shaken. Taylor has her own horse and takes riding and showing very seriously. Victoria is a good rider, but she understands that her accountant mom will never be able to buy her a horse, and she wants to have time for other things, like watching her favorite science-fiction show, Beyond the Galaxy. Despite a rocky start at Edgewood, she develops friendships with the other middle schoolers in the barn: uber-extrovert Norrie, quiet Hazel, and Sam, who is the only boy. Her new friends are not only Beyond the Galaxy fans, they also help her regain her own confidence in herself and around horses. The story is told from both Victoria’s and Norrie’s points of view, with flashbacks to Victoria’s friendship with Taylor. The emotional arc is realistic and finely developed, with the underlying message, emphasized by illustrations depicting riders with a broad range of skin tones and body types, that there are many ways to be a rider. Norrie is cued as South Asian; Sam reads as Black, and the other main characters appear White. The horses are well done, too. The clean, jewel-toned artwork is especially strong at portraying emotions through facial expressions and body language.

Combines sensitive character exploration with horses: a blue-ribbon winner.