Lush, deeply imagined paintings can't quite carry the didactic storyline in this tale from the creator of My Dream of Martin Luther King (1995). Lonnie, an orphaned African-American boy with the red hair and green eyes of his mixed heritage, is transported back to Paris during the first world war by l'Oiseau d'Amour—the Love Bird. This magical creature shows him how his grandfather of the 369th infantry, the ``Harlem Hell Fighters,'' met his red-haired French grandmother; and how their son, Lonnie's father, died in WW II. Claudine, his green-eyed, Jewish mother, was lost to the Nazis and Lonnie was smuggled away. The spirits of his ancestors—with connections to the Harlem Renaissance, the black Parisian community, and the French Resistance, among others—fade away, leaving Lonnie no longer orphaned but with loving stepparents (first met in Ringgold's Dinner at Aunt Connie's House, 1993). Ringgold's acrylic paintings will tug at anyone who has seen—or wants to see—Paris; their intense colors, stylized figures, and beautiful use of pattern draw the viewers in again and again. The complicated, though well-intentioned, story, with its layers of history and magical realism, may elude younger readers and leave older ones confused. (glossary, bibliography) (Picture book. 6-10)
Pub Date: Sept. 1, 1996
ISBN: 0-7868-0076-3
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)
Pub Date: April 1, 1992
ISBN: 0-679-91052-2
Page Count: 48
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
