Flagg flies high, and her fans will enjoy the ride.
Flagg highlights a little-known group in U.S. history and generations of families in an appealing story about two women who gather their courage, spread their wings and learn, each in her own way, to fly (I Still Dream About You, 2010, etc.).
After marrying off all three of her daughters (one of them twice to the same man), Sookie Poole is looking forward to kicking back and spending time with her husband and her beloved birds. She’s worked hard throughout life to be a good mother to her four children and a perfect daughter to her octogenarian mother. Lenore Simmons Krackenberry’s a legend in Point Clear, Ala., and has always been narcissistic, active in all the “right” organizations, and extremely demanding. She’s also become increasingly bonkers, a disorder that seems to run in the Simmons family. Throughout much of her life, Sookie’s never felt as if she’s measured up to Lenore’s exacting standards, and she’s terrified she, too, might lose her marbles. Then, Sookie receives an envelope filled with old documents that turn her world and her beliefs about herself and her family topsy-turvy. Her emotional quest for answers leads Sookie down a winding yet humorous path, as she meets with a young psychiatrist at the local Waffle House and tracks down descendants of a Polish immigrant who opened a Phillips 66 filling station in Pulaski, Wis., in 1928. What she discovers about the remarkable Jurdabralinski siblings inspires her: Fritzi, the eldest daughter, developed a unique idea to keep her father’s business operating during difficult times, but her true passion involved loftier goals. During World War II, she used her exceptional skills to serve her country in an elite program, and two of her sisters followed suit. Finding inspiration in their professional and personal sacrifices, Sookie discovers her own courage to make certain decisions about her life and to accept and take pride in the person she is. This is a charming story written with wit and empathy. The author forms a comfortable bond with readers and offers just the right blend of history and fiction.
Flagg flies high, and her fans will enjoy the ride.Pub Date: Nov. 5, 2013
ISBN: 978-1-4000-6594-3
Page Count: 352
Publisher: Random House
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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