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HUNTING HOUSES

There is something essentially inexplicable about a woman who wants to implode a largely faultless life, but Britt doesn’t...

A happily married real estate agent contemplates having an affair.

Tessa, at 37, has a lovely life in Montreal: three sons, an “irresistible” and creative husband, and a financially comfortable life. When one of Tessa’s female clients needs to sell a home due to an impending divorce, Tessa doesn’t realize that the home belongs to her first great love, Francis—until he calls and asks her to meet him for a drink. Immediately, Tessa knows she will meet him, and she expects to return to the state of desire that has simmered underneath her contented life ever since the end of their relationship more than 15 years earlier. The novel unspools forward and backward in time as Tessa narrates her childhood, adolescence, and relationship with Francis in the past and inches forward through the quotidian life of mothering and domesticity as she waits for her meeting with Francis. Britt (Louis Undercover, 2017, etc.) is covering familiar ground, but luckily, the novel is smarter than the average exploration of middle-class ennui. For one thing, Tessa is a protagonist who defies expectations; she’s failed at the creative career she wanted, but she doesn’t appear to resent it. She’s an excellent mother but views the complex reality of parenting with clarity. She’s self-aware about the dark streak she’s carried her whole life—“I was nothing but love and torment,” she says—but this darkness hasn’t threatened to poison her relationships...until now. While the reader is likely rooting for Tessa to keep her family intact, Britt also reminds us, in spare and trenchant prose: “To each her own end of the world.”

There is something essentially inexplicable about a woman who wants to implode a largely faultless life, but Britt doesn’t shy away from exploring this impulse anyway, with memorably lovely results.

Pub Date: Sept. 4, 2018

ISBN: 978-1-4870-0238-1

Page Count: 264

Publisher: Arachnide/House of Anansi Press

Review Posted Online: June 20, 2018

Kirkus Reviews Issue: July 1, 2018

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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